I am leaving tomorrow for two weeks away. A week in Berlin and a week in Paris, sketching and absorbing. I will keep you up to date right here, I hope, if the wordpress app cooperates. I have my sketch book, new palette, brushes and pens ready to go. I also have my reading planned: C.S. Richardson’s new book, The Emperor of Paris. Check out this link and the lovely short video which may make you want to go to Paris too. I absolutely loved Richardson’s first book The End of the Alphabet and I have great hopes for this new one. I always try to read a novel about the city I am visiting. For Berlin, Ian McEwan’s The Innocent. There isn’t a book of McEwan’s that I haven’t enjoyed, but the one on my top ten list is Atonement, a wonderful film too. But I digress…
It will be cold for sketching, especially in Berlin, so I decided to make myself a pair of fingerless gloves. You can see them in the top photo and below you will see I got carried away and made more for the show coming up in December. They are so easy to wear and so practical. There is a slit for your thumb and then your fingers are covered to the knuckles, but free for sketching or texting. Perfect. These pairs are made of gray cashmere, so wonderfully cozy.
For sketching inspiration I have been following Luís Ricardo Simões’ amazing blog, World Sketching Tour. Check the blog out, particularly this video. Here is one of his sketches from Berlin. His wonderfully loose style is so appealing. My friend A and I are hoping to absolutely fill our sketchbook with all kinds of images from these two great cities. I will keep you posted!
Here are a couple of my own recent sketches. A. and I spent a recent weekend sketching with Sharon Cranston, learning to relax and let the pen do the observing. This sketch is from a Picton Ontario food fair, full of people and great smells. We were right beside the fresh bread booth! The second is on the GO train into Toronto. 
Drawing people is tough. Luckily this young woman was so involved with her phone that she didn’t notice me. Maybe by the time I am home from Europe I will have figured out how to do faces. When I add the mouth, I seem to ruin it. Ah well. What I am really after is the wonderful connection with a scene that you get from drawing it — far more than taking a photo. I can still smell the bread from the picture above!